December 19, 2007
A pro (sometimes) basketball player that is funny, writes well, and has great taste in music?I've enjoyed Paul Shirley's blog entries written for ESPN, and now he has written a "Best albums of 2007" entry. This isn't really something you would expect from a pro basketball player, but I think he's got some real gems in that list.
Color me impressed. I also highly recommend reading Paul Shirely's stuff if you enjoy basketball. Check it out, you should be able to find it over on ESPN somewhere.
December 12, 2007
The Enemy Concert in Ebisu's Liquid RoomMy girlfriend likes the the UK Band The Enemy, whom she saw at Summer Sonic (I was off seeing other bands at the time.)
She picked up a pair of tickets to their show on Monday the 10th at Ebisu's Liquid Room and we went together.
I have their album "We'll live and die in these towns" and I like it. It is a good album with really catchy choruses and a surprisingly complex sound. They have some piano on some tracks, which I like. It strikes me as a really sad album, with a hint of desperation, but the music is often upbeat and energetic. It is easy to listen to, and a bit catchy. I'm not going to go out on any limbs and declare it super tops, but I liked it.
Their live show was very good though. They were a four piece: the three official band members on bass, guitar, and drums, as well as someone on keyboards. The bassist was pretty cool: he totally jumped in and crowd surfed at one point. People were going wild: lots of crowd surfing, which is pretty rare for these gigs in Japan. The place was really packed, and as with most of the bands that Lisa likes, these pretty boys drew a large cute young woman audience.
We grabbed a standing spot on the side of the liquid room with a great view of the stage since we were on an elevated platform and had a little counter to rest on. I'm glad we weren't in the center middle stage where we usually go, since there was lots of moshing and energetic pushing that night. It was nice to just relax and not have to shove against people for once - I get enough of that on the morning train commute.
Anyway, I wish I had some pictures or other nice media to go with this post, but I don't. All the venues I've been at in Japan are dead set against any sort of photography other than the official venue stuff, which they sell after the show. I should have snapped some shots after the show, particularly of a group of high school girls in their uniforms that seemed shocked at how sweaty they were. Maybe they've never been to a concert and ended up in the packed crowd before, but I've always found that in Japan if I want to dive into the crowd, I pack a second T-shirt to put on after the show ends since the first one will be completely sweaty.
Anyway, if The Enemy is coming through your town I recommend them. They put on a good show. Their album is pretty good too, and I think a few of the songs will stick around in my permanent rotation.
December 9, 2007
Praise for PortalAbout two weeks ago, I decided to buy Valve's Portal.
Now, generally I don't play many games, but I have been reading two blogs that focus on games which have both been giving high praise for Portal. The first, Shamus Young's Twenty Sided has a lot of gaming (both pen-and-paper RPG and computer type) information, and is home to the amazingly funny DM of the Rings.
If that wasn't enough, another blog I read has had good things to say about Portal also. The other blog is Japanmanship, a blog by a game designer from England who lives and works in Tokyo. His blog is a great read for any foreigners in Japan, and also lots of interesting stuff about game design.
So after hearing so much about this game, I decided to give it a try. This is a bit commitment on my part: I have pretty much given up on the entire First Person Shooter genre. I never really played many FPS games. I started with Pathways Into Darkness on my Mac IIci but that didn't work too well. It was scary, and I got lost, and there were mean monsters trying to kill me. I get lost easily enough in real life, and it isn't any better when people are shooting at me. I never got very far in that game.
I then went on an played
Bungie's Marathon on my PowerMac 6100av, but ran into the same problem: people were shooting at me, it was scary, and I got lost.
Ever since then I just haven't played many FPS games. I don't really like 3D games in general. I like the constrained world of 2D games, and the nice pixel graphics. About the only game that I do play any more is Street Fighter II (in the latest incarnation of it that is any good: Super Street Fighter II' Hyper: Anniversary Edition.)
I finally decided to give FPS games another chance though when I bought Portal. Actually, I bought the entire Orange Box since it was only slightly more expensive and includes a few more games that are supposed to be top-notch.
I really can't say enough good things about Portal. I'm quite late to the party I'm sure, since people were playing and writing about this game back when the Orange Box was actually released, but I'll throw in my two cents as well.
First, the pacing is excellent. The game starts off with simple tasks, and clearly shows what you can do. The progression and learning curve is very well paced. I know it is because I am more or less hopeless at these games, and I found that I was able to figure out what I needed to do without resorting to looking things up on the internet.
I also never felt like I was lost: the levels were well designed and I generally knew what I had to do, or where I needed to go. I really loved the puzzle-game dynamic as well. I wasn't being chased by bad guys, and things felt more like an extended Tetris than a stressful first-person shooter. By the time I got around to the last "level" I was using all the tricks the Portal gameplay mechanics allowed for, and really enjoying it.
The other thing that really hooked me is how they managed to tell a great story that was just absolutely hilarious. I love the disembodied GLaDOS computer voice, and the gun turrets are super cool too. I almost felt bad about knocking them out of commission.
By the end of the game, you are treated to an absolutely amazing song. It was composed by Jonathan Coulton who you really should check out: he's got some geeky and funny stuff. I'll write a post about it at some point, once I sort out my top recommendations. Due entirely to the Portal end-song, I ended up spending $70 on the DRM-free Jonathan Coulton "box set" of MP3s. He also distributes his stuff under a Creative Commons license, so you can get a lot of his stuff for free, but I've been listening to a bunch of his stuff and thought it would be nice to support the non-traditional music distribution model.
Anyway, my recommendation is to play Portal. I've actually started playing Half-Life 2 from Orange Box, and am enjoying it as well, but I really wish I had my portal gun. And that people would stop shooting at me. And that I wouldn't get lost so often. I do have to admit though, I am getting lost and confused much less frequently than usual for the genre, which I attribute to the Valve designers putting a lot of thought into the level design.
December 4, 2007
The 2007 Japanese New Word / Buzzword / Hot Phrase PrizeI woke up this morning and was surprised to see on the news that there is a yearly Japanese new word / hot phrase prize awarded. It looks like this prize is sponsored by a publishing company, and has been awarded annually since 1984. You can check their yearly archive to see who won the prizes in the past.
I'm sure there are many bloggers in the Japan ex-pat sphere that are much more on top of these things than I am, but I thought it would be amusing to take a look through this year's list and see what I can figure out. In general, it seems like an odd pastiche of catchphrases, nicknames, and social phenomena.
And the winners are...
どげんかせんといかん(Dogenkasen to ikan) This is a regional dialect from Miyazaki-ken. The person who popularized this saying is 東国原英夫 (Higashikokubaru Hideo), currently the prefectural governor of Miyazaki-ken recently elected in January of 2007. Before that he was one of Japan's many "Talent", basically a TV personality of some kind.
This phrase is indecipherable to me, so I did a bit of searching on the interweb. I know that いかん is basically Kansai-ben for "bad", so I can make some guesses based on that, but what I came up with, from this blog posting, is that it means "We have to do something (about this)." I also know that the ~せん suffix is used in some dialects as a negative, so I can guess now that どぐ might be something like する (to do.) These are all conjectures though.
It seems like the story of this guy is that he was recently elected to the prefectural government of Miyazaki, which hasn't been viewed in the best of lights recently. He's know as the "Miyazaki Salesman" because he shows up on TV shows and other things to extol the virtues of Miyazaki. Popularizing some of the local dialect spoken in Miyazaki has been one of the points on his agenda apparently. Anyway, it is interesting to learn, and I wish I knew more about this particular dialect, but in practice if you live in Tokyo you will only hear standard Japanese, and some Kansai-ben if you watch TV and comedians, along with whatever your friends speak. It seems like most of my friends speak French or Senegalese these days, so Miyazaki-ben is completely out of the running for me.
(Hanikami Prince) This is the nickname for Ishikawa Ryu, a freshman high school student amateur golfer that has been popular lately. The nickname was given to him by his godparent, who was announcing the Munsingwear Open KBS Cup at the time that Ryu won it. I don't understand what the nickname means at all, but a quick look at his wikipedia entry did not clear anything up at all. It says that the nickname was born at the time of his interview after winning the event, but doesn't say where it came from. It says that was previously called "The Sunvisor Prince" because he wore a sunvisor, but that didn't stick, and Hanikami Prince did because of his characteristics.
And a slap to the forehead time: はにかみ屋 is in the edict as "a very shy person". So I'm guessing this is more properly called "The Shy Prince" and now it all makes sense.
I also think this is about as cool as everyone fawning over "The Handkerchief Prince" from last year, who was a baseball player (pitcher) for Waseda who wiped his brow with a handkerchief all the time. People went nuts over him too. I'm not as interested in fashionable nicknames.
(Kieta Nenkin) This is a reference to the recent trouble about missing pension money. This year, over $450,000 in pension money went "missing". (This is nothing compared to how much money has gone missing in Iraq for the US!) 舛添要一 (Masuzoe Youichi) is a politician, and also ex-Talent, who has been involved with the missing pension money. He's the part of the Liberal Democratic Party of Japan, the Minister of Health, Labor, and Welfare, and a well-known political scientist (not that I know of him!) Anyway, he has been speaking out about lack of accountability and other problems with the social insurance agency. The "Disappearing pension money" is one of his catch-phrases.
(Sonnano Kankei nee) This is an annoying catch-phrase that is apparently the height of Japanese humor, but just strikes me as completely idiotic and scraping the bottom of the barrel of humor. (Of course, my friends would call me a hypocrite to be calling any humor stupid, but that's for another day.) Anyway, そんなの関係ねぇ means "that has nothing to do with it!" or something along those lines. It is a catchphrase that this comedian, 小島よしお (Kojima Yoshio) uses. He comes out wearing just a swimsuit (Speedo-style, why?) and repeatedly says this in a good rhythm to cheer himself up. Man, this stuff is not funny. Of course, in his "interview" he answered every question with "that has nothing to do with it!"
I'm going to start using this at work and see if people laugh. They probably will. How depressing. My amazingly funny, complex puns based on subtle translation errors just get blank stares, or worse, elicit outright anger. You know what I tell myself though: そんなの関係ねぇ！
(Don dakeh~) This is another annoying catch-phrase joke that you hear way too often. It basically means something like "how much (or far) [has that gone?] - [it can't be as much as your are saying]". It comes from どれだけ and is often used with a sarcastic intent. So if someone says "I ate two donuts" you can say "How many?" with the implication being "you couldn't have eaten two donuts!" (it must be many more because you are fat) or something like that. Then people will laugh.
Also, the person that was nominated for this is Ikko, a makeup artist and Talent who is a cross-dresser. He said that this isn't really his gag, it is one that is popular in the gay bars down in Shinjuku 2-chome. Japanese people seem to really like cross-dressers and think they are very funny. I guess they're kind of like the British that way.
(donkanryoku) Thick-skinned (well, that's my translation anyway.) More literally it is something like "the power to be stolid". This is by author Watanabe Jyunichi, who wrote a book of the same name. The meaning is basically "don't worry so much about the little things" which is a good message I think. But I'm pretty sure I don't really get all the significance of the word, since I don't really know what that means within the Japanese culture context. What is "little stuff" to me probably has no bearing on what is "little stuff" to the Japanese, and vice-versa for the big stuff.
(Shyokuhin Gisou) This one is kind of interesting. It means "fake food" and is a reference to a company here in Japan called "Meat Hope" which labeled some of its meat products as ground beef when in actuality the products included pork or rabbit or other things like that. There were other similar sorts of food-based incidents, like a company that was selling fresh-made tofu treats (for years and years) but was actually labeling them as made on the day they were thawed out after being frozen, and other things like that.
(ネットカフェ なんみん) This is a social phenomena expression. It refers to people that, for whatever reason, sleep in internet cafés. Some of the people are homeless and use the cheap net cafes (some with 1000 yen overnight packages) to grab a shower and sleep in big recliner chairs. The translation is pretty clear, literally: net cafe refugees.
(おおぐい) I think the reading is right. Anyway, this word I guess refers to the gradual super-sizing of foods in Japan. Just like in America, portions are getting bigger, and food is getting less healthy (depending on where you eat anyway.) The recipient for this prize was ギャル曽根 (Gal Isone, maybe loosely translatable as Stomach Girl). She is Talent, and appears on eating competition shows. She can eat a lot, I've seen some of the shows that she's been on. She must exercise a lot with the amount that she eats.
(もうしょび) The day of fierce heat. It was awarded to the president of the Kumamoto-city shop-owners association (or something like that.) This summer, temperatures reached 40.9 degrees Celsius (105.6 F) in Kumamoto. That's crazy hot.
Well, that does it for this year's top 10 buzzwords / hot phrases prize. I thought that one of them was pretty interesting, and three of them were completely worthless. The others are somewhere in between. It was kind of fun looking some of this stuff up though.
Bad OmensToday started off with a bad omen: I slept in for an entire hour. Usually I'm very good about getting up on time, but I was up a bit late last night. Even though I went home early (home by about 7:45pm) I logged on to some machines at work, and (slowly, while watching House) did some work-related stuff. I ended up going to bed at about 1am, instead of my usual 11pm, with a 7am alarm.
I almost never use the snooze function on my alarm (which is actually my cell phone) but this morning it was so cold that I just couldn't stand it. I turned on the heater, and then somehow an hour passed before it was warm enough to get out of bed.
Now, this isn't really a big problem since I don't have strict hours that I need to be at work (I just need to get my work done.) The problem comes in with the commute: they way things are now, a slight delay on my part changes my commute from annoying to unbearably crowded, hot, and sweaty.
If I wake at 7am, wash my face, and then hop on the train I generally will be able to sit on the second leg of my trip (~20 minutes) and can sit after the second station on the third leg of the trip (~20 minutes.) If I can't sit, at least I can stand and can hold a hand-strap, and generally I have some space and am not too crowded.
If I am delayed by twenty minutes or more, I skip the first train leg of my trip entirely (only 2 stops, maybe 5 minutes on the train) and walk the 15 minutes to the start of the second leg because that fifteen minute delay means that the train is so packed that when the doors open, you just see a wall of people. To get on the train you turn around with your back facing the people, and then press your way in. If you can get some leverage on the train door side that helps. Usually, somehow, miraculously, there is enough space to squeeze in. Your face will pressed up against the glass, which is slick with condensation from the hot breath of the people jammed into the train, making cattle cars seem roomy by comparison. If you are unlucky, more people will be getting on after you, and you will find yourself bent into improbably shapes as bags and briefcases force your lower body and legs one way, while other pressures force your upper body another way. If you can reach a strap that helps a lot, otherwise it is a crazy balancing act in which unusual muscles start to ache from holding odd positions. It doesn't matter much in the end though because you are packed in so tight it isn't possible to fall over, only lean more awkwardly onto the people around you.
So generally I'll just skip that mess entirely and walk the 15 minutes to Jiyugaoka. It is a nice walk anyway, and I can do with the exercise.
At Jiyugaoka things are slightly better because I can choose to take the local train, which isn't nearly as bad as the express, or god forbid, the commuter express, which is just comically packed. Typically though, even the local train is unbearably hot and humid from all the people. Also, don't think that there is the up-side of at least sometimes being pressed up against cute women: the rush is worst from 7:20am until about 9:30am, which probably 70% of the ridership is male. The women are smarter and try to avoid the typical salary-man hours.
Of course, on the express and commuter express train there are "women-only" cars so maybe more of them crowd in there. I don't know; I always take the local because it is only about five minutes longer from where I'm at and substantially less crowded (which isn't saying much.) The women only cars are supposed to address the problem of men groping women, which I might talk about at some point, but in reality I don't know much about it: I don't do it, and I don't know that I've ever seen it happen. I'm not sure I would know if it was happening though, so I generally just try not to think about it too much.
Anyway, today with my delay of one hour, I was in the packed train at Shibuya. It is usually pretty back until you hit Naka-meguro where lots of people get out (yay!) but then you are only two stops away from Shibuya, so it isn't really much of a win.
I transfer at Shibuya to the Hanzomon line. Today things were strange: I got down to the ticket gates, and there was a crowd of people backed up to the escalator. The place was jam packed. A few of the signs had information on the problem: due to a "personal accident" (人間事故, literally human or personal accident) the trains were severely delayed. A personal accident is a euphemism for suicide. They happen sometimes here in Japan, someone decides that the commute is unbearable, and in a sarcastic lash back at the commuting system they jump in front of a train. This has happened a few times in the approximately two years that I've been here, maybe four or five times. Usually the trains are running within twenty minutes to an hour.
This time, the accident happened at 6:15am and they were not letting people into the gates. I don't really know what happened, but I decided I wasn't getting anywhere fast, and I went for a cup of hot chocolate at the Starbucks in front of Shibuya Crossing.
I really need to remember this, but I hate that Starbucks.
Every few months I go there, and I hate it. Then, a few months later, I decide I want some hot chocolate or something, and I go back. And I hate it. The problem is that the place is always packed. You always have to wait for a place to sit. Even once you do sit, it is unbearably hot. The building is facing East (I think I don't know these things), and gets the full brunt of the sun as it comes up. It has a large glass face, and it is always unbearably hot. The tables are small and always crowded. One of my favorite things to do is to read a book and have a drink at the coffee shop, but in this place I can't spread out much which is a major problem: when I read, I need space for my book, my electric dictionary (ancient, so huge by modern-day standards) and a notebook that I write down unknown Japanese words (writing is still the best way to remember things.)
So while I'm drinking my hot chocolate, in a cramped counter seat in front of a huge glass window with the full force of the sun beating down on me in an over-heated coffee shop, I'm sweating like mad. Finally, the last thing about this place is that it is always packed with foreigners. Now, I'm a foreigner and I'm not one of those people that feels like other foreigners around me are invading my own special private Japan where I'm the only unique guy. But I don't like when I hear a bunch of people talking English loudly about things that annoy me. And you tend to get a lot of guys in this Starbucks talking about picking up Japanese women or other things like that which can be annoying. Or people doing impromptu English lessons - which is common in coffee shops, but this one is just so crazy crowded that it makes no sense to do one there.
Anyway, I eventually finished my hot chocolate, and headed back to the subway. They were finally letting people back on the trains, and I picked up my little ticket that said the trains were delayed for an hour (they pass them out so people can prove to their bosses that they weren't, in fact, just hanging out at a coffee shop making disapproving body language at strange foreigners) and finished the commute -- still crowded because of the delay -- to work.
I'm usually here at about 8:30am, today I didn't get in until 10:30am. Already two hours behind schedule!
And I love my schedules. Ah well. At least I get to rant about it on my blog. :)
November 7, 2007
Spectating the New York Marathon
Jonathan Strange & Mr Norrell(Beware, spoilers may follow.)
Since I came to Japan I have not been reading too many English books. I really enjoy trying to read novels in Japanese, and am currently (slowly) fighting my way through Haruki Murakami's "Kafka by the Sea." I leave English books, which I devour, as fodder for passing time on the airplane. I can't sleep on planes, so the ten to twelve hour flights from Japan to America are exercises in endurance and boredom for me. Reading English books is one good way to pass the time.
Typically I will read from two to three books on one trans-pacific flight. On my last trip out I bought Susanna Clarke's "Jonathan Strange & Mr Norrell". This was a good book if for no other reason that I was unable to finish it in one flight. It actually lasted four flights (three of them were barely noticeable sub-three hour flights though) before I got through the 1006 page monster.
In my little databases of books read I gave this title a 7.5. It is a little odd because while reading the book, I was really drawn into it. The book has a peculiar language, spelling words in antiquated (or just outright strange for the sake of creating an atmosphere) way, and with Victorian era sensibilities. For the spelling, most noticeable was "show" -> "shew" / "showed" to "shewed" and so on. It is actually very annoying at first, then later on becomes only mildly annoying.
The novel is written in a quite victorian-era style, and reads like a serialized Dickens novel. There is entirely too much description, and too much emphasis on the social habits of upper-class gentlemen. Vast portions of the novel are just boring.
The portions having to do with magic are quite interesting (aside from anything Mr. Norrell has to say, which is intentionally boring) but unlike many books in the fantasy genre does not linger over the magical descriptions and incantations. The magical theory is very well developed, and expounded upon in crazy long footnotes, and there is an extensive history and library of books about magical theory in this world. It is an impressive accomplishment to flesh out the world so thoroughly, and in ways reminds me of the Lord of the Rings.
Near the end the story starts to speed up, and becomes quite engaging, but infuriatingly the ending is sudden and somehow unsatisfying. It feels like there is a deeper story about the meta-story of Mr. Strange and Mr. Norrell's actions as part of the Raven King's plans, but that is only hinted at.
Still, overall it was an engrossing read. I only lament that it was so unnecessarily long, and after reading it I am not sure that I am the better for it. Unlike most of the trashy fiction that I read on airplanes that are short sci-fi or fantasy novels, this one was long and required a commitment to get through. I'm a bit conflicted about that.
Has anyone else read this one? Comments?
Overheard at the bar
When she said priori probability, I think she meant a-priori probability ...Of course, I have to admit that this bar is the one in the hotel where many attendees of the TREC conference are staying, but still, I think it is a very funny bit of overheard conversation. I kind of like the idea of a bar in which conversations about statistics are commonplace. Perhaps that is what every bar in the MIT area is like, but certainly it isn't anything I run into at my favorite bars. I'm lucky to hear English being spoken at the bars that I frequent. :)
October 15, 2007
Catching up on MusicLately I haven't been listening to very much music. I've been busy with work, then last week I caught a cold and was sick all week. I still came into work, but left pretty early and slept a lot. I'm finally just about over that, but work has gotten busy again as I have to prepare a talk for the TREC conference early next month, and there isn't much time to coordinate with my supervisor about it. I also sprained my ankle a week ago, and haven't been running since then. Usually I listen to some music while I run, so I've been missing out on my usual music listening opportunities.
RadioheadI just bought Radiohead's "In Rainbows", but haven't had a chance to listen to it yet. (Well, I'm listening to it now.) I think it is great that they are distributing their music themselves, and love the "pick your price model". I thought I would pay about $7 or $8, but ended up paying 5 pounds plus their processing fee, and who knows how much that is in American dollars. Maybe something like $13? It is a bit more than I wanted to pay, but I completely support their move to a new business model for self-distribution. I should mention that another favorite band of mine, Bishop Allen, also sells their stuff on their own website for very reasonable amounts.
Inspired by RadioheadOne group that I've been keeping my eyes on, Hard 'N Phirm, has a new post on their website where they are distributing for free two songs of theirs that are Radiohead inspired: "Fitter, Clappier" (not so great, but worth a listen for the price) and "Rodeohead", which is very nice. A kind of blues-grass Radiohead montage. More than that you, you really should check out the video for their song "Pi". The Youtube clip is below. I think it is hilarious and a great parody of the 80s style "Electric Company" edumacational TV shows.
Flight of the ConchordsNot too long after finding that Pi video (forwarded on by someone) I heard about Flight of the Conchords from the Hard N' Phirm guys. I have their website's RSS feed in my feed reader, and it popped up one day and said I should check out the HBO show "Flight of the Conchords". So I did, and I thought it was hilarious. I thought it was great, and that my little sister would love it. She always seems to hang out with people that are cool, but are somehow cool in spite of themselves, with a bit of a nerdy flavor. That kind of describes the Flight of the Conchords guys pretty well, I think. (Contrast this with myself: I am definitely nerdy, but have not even been able to attain the geek-chic style that has somehow popped up. I just land squarely in the "geek" demographic.) Since I thought Jana would like this stuff so much, I bought her the DVD for her birthday. Sadly, her birthday is in October, and the DVD isn't shipped until sometime in November, but as long as she doesn't read this website she'll still be surprised. Who expects a birthday present a month late? (Outside of my sisters, mothers, fathers, and friends?)
For your enjoyment, I recommend that you check out the Flight of the Conchords song Hiphopopotamus vs. Rhymenoceros. It is very funny. It is also probably findable on Youtube.
Say HiAnother group that I absolutely adore, Say Hi To Your Mom, recently changed their name to the shorter "Say Hi", and put out their newest album, "The Wishes and the Glitch". The album is supposed to be released on Feb. 5th, but if you are up on the interweb stuff you can order it from their website and get it now. It is a mere $7 for the digital download, which is I think a bit inaccurately named as the "Immediate Digital Download" because I ordered two hours ago but haven't received any download instructions yet. I suppose they will show up within a day or so, but that doesn't quite fit my description of "Immediate". More like, rapid. According to the FAQ, you should get the link for the download from 12-24 hours after your order, or on Monday if you hit them up over the weekend. I guess that means that they have a human approving the process somehow, which kind of baffles me since you really can automate the whole process. It is kind of rapid I guess, but not nearly what I would call "Immediate".
Still, I'm a huge Say Hi fan, I absolutely love their 2004 album "Numbers and Mumbles", and like their other stuff as well. I'm really excited to listen to the new one - even more than the new Radiohead album. With Radiohead, I expect a good album. With Say Hi, I expected something that could be only good, but might possibly be mind-blowing, or at least has a very good chance of being very specific to me and my life. What I mean is that I can sometimes very strongly identify with Say Hi's music in a way that the more large-issue, big-world, Radiohead stuff doesn't reach me.
Radiohead will not sing about being a 13-year-old kid hanging out with your friends dreaming of robots and spaceships. Say Hi very well might. Or he might have a song about falling in love with a girl, and then falling out of love with that girl, but not wanting to face it, and wanting to talk about spaceships instead of the relationship. Sometimes I misunderstand and relate so poorly to women that I don't understand why a conversation about spaceship design would be a bad thing when we should be talking about failings in communication about our relationship.
I really like the range that can come out of Say Hi. Of course, not everything is gold, but I think having valleys to go along with your peaks makes life more interesting.
September 30, 2007
One week with Papa and Daughter (パパとムスメの七日間)On Saturday I was working at the computer with the TV on, and came across a re-broadcast of the first two episodes of パパとムスメの七日間, a Japanese weekend drama that was on a while back. I usually don't watch Japanese TV since it consists of essentially talentless タレント芸の人 (celebrities) on quiz shows, or possibly cooking shows, or quite possibly celebrity cooking quiz travel shows. Actually, you can draw any keywords from the set (cooking, celebrity, quiz, game, challenge survival course, travel, food) and come up with a plausible Japanese TV show. I have to admit that I enjoy some of the survival course shows, but generally I don't watch too much Japanese TV.
Every once in a while I'll watch a drama, but because they are always broadcast on some sort of schedule and I don't generally work regular hours I find it really hard to watch something broadcast on a schedule.
This drama, A week with Papa and Daughter, is only seven shows long. It was broadcast on the weekend, and has a kind of short run (usually they are 12 episodes or so I would guess?) That is a short enough run that I can get into it, and since I just "watched" two episodes I headed over to d-addicts.com and downloaded the rest of the series.
I really recommend it for intermediate and advanced level Japanese speakers. It is a funny series, and fairly easy to understand. A very brief description of the series:
A daughter, Koume, and her father (papa) don't get along very well. Returning from Grandma's house one day, they eat a magical peach that switches their bodies around, and hilarity ensues. The father works at a famous beauty supplies company, and is in charge of a new product launch: the perfume Beautiful Dream that they are aiming at high school girls up to office ladies.
The daughter, Koume, is a high school student with a crush on a student on the soccer team. You can imagine how a high school girl trying to be the boss of a project at work could be difficult (and also how a high school student could be useful for directing the product direction.) Of course, her father isn't going to have any easy time with the midterm tests or Koume's high school crush...
I found the entire series over on d-addicts in Japanese, and it looks like they also have English and Chinese subtitles for it.
It's worth checking out!
September 15, 2007
On the outside looking inA quick post.
Today has been a peaceful Saturday, where I woke up early, did some housework, cleaned up around the place, and caught up on casual website reading. I also enjoyed my traditional hour or two at the local coffee shop reading my Japanese book - I will eventually finish this thing, but it might take me another six months.
I went home and started to read a few academic research papers related to some work stuff.
At about five thirty I decided to head to the local supermarket to buy some orange juice and start some rice for dinner. Once outside my door, I heard some shouting and drums, and realized that I was about to run into another festival of some kind. I vaguely remembered seeing signs advertising for recruits to help carry the portable shrines for a festival coming up in mid September, which is about now.
Walking half a block to the East shopping street, I caught sight of a small portable shrine being carried by some kids down the road, and right at the parking lot on the corner a more unusual scene. (For an American, seeing something more unusual than a portable shrine carried by kids who are chanting and walking in unison looks odd even to me.)
This all happened quite quickly, but here is what I saw:
A well-dressed Japanese man in his mid to late thirties, prostrating himself in the traditional Japanese fashion (土下座.) The open door and vacant driver's seat of a black luxury SUV in the middle of the road seemed oddly out of place; you don't usually see those things with the door open and engine running, vacant. Standing in front of the man was an older, slightly pudgy Japanese man in traditional dress - the kind that you commonly see at festivals worn by the people participating or working there, perhaps a happi (半被), all in black. He was yelling at the other man, and it was scary. He had a rough edge to his voice, reminding me of what the Yakuza in the movies sound like. This was all quite quick, and I didn't know what was going on, but I heard things like "What were you thinking" and "why'd ya do that?" -- or things to that general meaning.
Then the older man kicked the kneeling man, in the face. His wooden sandals flew off. I kind of spaced out momentarily, but then noticed that he kicked the guy with his other foot. His other sandal flew off. He went and retrieved them, berated the guy some more, and I froze.
I was thinking "This is not right!" I wanted to go over to see if the man who had been kicked was ok, but suddenly was absolutely convinced that the man in black was Yakuza, and that this was a dangerous situation.
The most dangerous situation that I've been in since I moved to Japan a year and a half ago. It was dangerous in an unusual way; I knew that if I just turned my head slightly, and watched the portable shrine procession go by, nothing would happen to me. In fact, there were many people in the exact same situation that I was in: the traffic conductors for the procession, who were not policemen, but were some sort of official with power over directing traffic, a few people who came to watch the processing, the local shopkeepers. It only made me more worried when I saw that the shopkeepers were looking at the man getting kicked and then intentionally looking away.
The reason this is scary is because the Yakuza are a fact of life in Japan. In general it isn't something that you notice or are supposed to notice, but it is clear that they exist. As an outsider, I have trouble knowing exactly what is going on often, but in this case it was clear that the people around me were afraid of acting against this guy, which scared me even more.
Of course, it could also be that in general Japanese people are not likely to get involved in business that isn't their own, but for that same reason anytime you see someone that is blatantly breaking the social rules in Japan, that guy is probably in a position of power.
(Or alternatively, has little power at all. Another case entirely is a recent fight that I saw on the street. A business-suited man who had clearly been drinking a lot was arguing with another guy that looked pretty much the same as him. He lunged at the guy and started swinging. The friends of the two, also business men who had drank plenty, pulled the two guys apart, did some yelling at each other and themselves, then walked off in separate directions. That is somehow entirely compliant with the Japanese sense of social behavior.)
About by the time I had processed this and consciously decided to not get involved, the Yakuza-like man turned around, and walked away slowly, as if now everything was fine. The character on the back of his jacket was not legible for me, but was not one of the local groups involved in the festival (to the degree that it wasn't repeated on any of the hundred or so jackets that I saw afterwards.) The character itself looked somehow scary to me; I saw (or imagined?) the radical for sword (刀) in there.
People ignored the man who had been kicked, who continued to prostrate himself, while his glasses had flown off somewhere to his right. Luckily I didn't see any blood on the man -- unlike a particularly scary incident I saw once in Roppongi many years ago, where a man's glasses were punched into his eyeball and there was an unsettling amount of blood spurting out. I turned to head towards the main street, following the Yakuza-man, who somehow disappeared quite completely even though I was watching him. Only about one hundred meters ahead of me, turned a corner, and completely disappeared.
Walking up the road the people involved with the procession (the traffic people) were talking about the incident and didn't seem to know much more than I did. Behind us one of the shopkeepers went to talk to the kicked man. We got to the main road, and they alerted the police, who didn't seem too happy to hear about it. I watched some more of the portable shrine procession, and a few minutes later noticed an ambulance headed down towards where I live, and presumably the kicked man.
Afterwards I did my shopping, and walked home. At the corner where things took place -- perhaps two hundred meters from my apartment building -- the kicked man was still there, kneeling now, but not with his head to the ground as before. He was not talking the the policeman, who was questioning him. There was no sign of the ambulance. The people that remained in the area were talking in hushed voices, clearly not interested in getting involved.
While I suppose I could have gone and spoke with either the man or the policeman, as a complete outsider in a situation where the Japanese themselves were also outsiders, I thought it was best to leave this alone. I went home. A few steps later, I passed the same luxury SUV, this time pulled back slightly away from the road.
I have no idea what happened. I have a feeling that it was some kind of near traffic accident, but I really don't know. I honestly do not understand why the man was so passive, or just willing to take the abuse from the Yakuza. I can guess, and I'm sure that it is fairly tightly tied to the Japanese culture, but I don't know if that guy is involved with the nefarious underworld, or just an unlucky regular guy to cross paths with the scary Japanese underbelly. In any case, the Police didn't seem to have much to do with it either from the point of view of prevention, investigation, or follow-up care.
Times like this (this is, of course, the most poignant one that I've had) really make me feel like a complete outsider in this country.
September 4, 2007
I haven't been swimming in agesSo, due to a variety of circumstances I have become a member of the Fitness Club Esforta, near Suidoubashi. Today for the first time, I decided to go down there and take a swim.
I haven't been swimming in ages. I have been running a few times a week, so I like to think that I'm in pretty good shape. Unfortunately, I haven't been losing any weight at all, so I thought I would add swimming to my regime. I've never really been swimming for real exercise though, so I wasn't sure about what to expect. I hoped to be able to swim for about 20 minutes.
The fitness club has lots of things that they loan out to you: new balance sneakers, towels, socks, and even bathing suits. The bathing suits are speedos, and I took the second largest size, but the thing was skin tight. Since I took my glasses off though, I couldn't see anything and it didn't seem too embarrassing. Everyone else was wearing them too. How Japanese. We all match!
So I got into the pool, and swam a lap. My form was atrocious. I didn't know when to breathe. I'm pretty sure that when I breathed in it was the wrong time because I was having a lot of trouble with it. The second lap my arms were heavy. The third lap was really tough, so I tried to swim it on my back, but I couldn't see very well. The fourth lap was a very slow affair, with heavy arms and it was hard to breathe.
That was it. I got out and checked the clock. Only ten minutes had passed. I couldn't believe how heavy my arms were, and I was starting to get a bit light-headed. I changed and took a fifteen minute break before heading back to the station.
By the time I got back to Jiyugaoka, about an hour later, I was fine again. My arms had quit tingling and my head was no longer light.
Next time I'm trying for 11 minutes.
September 2, 2007
(Unexpected) Jiyugaoka Portable Shrine Festivalposted previously about reading Japanese novels, and have continued to try to struggle through another book. The current book, Murakami Haruki's Kafka by the Sea is significantly harder to read. Anyway, on the weekends I usually go to get lunch at Excelsior, a local coffee shop in Jiyugaoka. I like the café in front of the station, which has a large seating area on the second floor with a wide window that gives a nice view of the plaza. I also look forward to their "Four Cheese and Mushroom" sandwich along with a hot chocolate. I usually spend about an hour reading, maybe an hour and half if I am interested in the story, and then I wander around Jiyugaoka (usually hit the arcade for a game of Street Fighter II) and bike back home. This particular Sunday, I was a little surprised because there was a nice wooden stage built up in the center of the plaza, which usually happens when a festival is being held. Not too much longer, and a whole bunch of shouting and chanting people round the corner carrying a portable shrine (Mikoshi, 神輿). I've blogged about other festivals with portable shrines before as well, most notably the Asakusa Sanjya Matsuri, but this one was interesting to me because it is a local festival. These portable shrines all came from somewhere nearby, a temple that I can go visit. Nice. I spent about an hour and a half eating lunch, reading, and watching the festival. It worked out very well because I finished a complete chapter in one sitting. I think it was just a short chapter though. At the pace I'm currently reading at, I should be finished in another six months. There are lots of things that I like about Japan (and a number of things that I do not!) These random, everyday occurrences brighten up my days.
August 31, 2007
A Visit to the Japanese National ArchivesLast week, I took a trip to the National Archives of Japan, arranged by Visiting U.C. Berkely Professor Fred Gey. I didn't realize this, but the National Archives are a short five minute walk from where I work in Jinbouchou, right next to the Japanese National Museum of Modern Art.
The mission statement of the National Archives is to preserve important cultural documents from Japan's history. The documents in the archive range from the 1600s up until about the end of World War II. They have some extensive, high resolution scans of maps, pictures, documents, scrolls, and so on available on the web. I was very surprised that they are using JPEG2000, which I really haven't seen in use anywhere but generally am in favor of. They have some really great maps of Japan from times ranging back in the 1700s to just after World War II. I am going to try to find where I live on one of these olds maps one of these days - but I'll have to do that on my windows machine since I don't have JPG2000 support on my Mac.
There is a really cute flash-based GUI with a man walking over a timeline that lets you click on a year, and then browse through documents from that year. Unfortunately, I can't get Flash to display Japanese characters to me correctly.
The National Archive is also somehow related to the Japan Center for Asian Historical Records, which has an interesting online retrospective on the US-Japan War Talks based on documents from the time. Based on the talk with the engineers there, it sounds like they have helped spread their technical know-how on archive architecture and document search to a few other institutions.
Anyway, there is a wealth of information there to look through. I don't see how anyone can get through any reasonable amount of it in a lifetime. The maps are really great though.
August 26, 2007
The Unexpected Dance of the Dead
On Saturday I went to Roppongi Hills to see the movie "Ratatouie". In Japanese, this movie is called "Remi's delicious restraurant" which I actually think is a much better title. I had no idea what the movie was about when I saw the title "Ratatouie", but have a bit of an idea when I see the thing about Remi having a good restaurant. Anyway, I moved to Japan about a year and a half ago, and in that time this is the third movie that I've seen. Back in New York, I used to see about three movies a month usually. That's a pretty big difference. A lot of it has to do with costs: movies here are about $16 a ticket, which is expensive even when comapred to New York's outrageous $10 ticket. It also just isn't something that people do often here, so back in the US when you are trying to think of something to do, a group movie is a pretty normal option. It just isn't usually an option here.
Anyway, we headed out to Roppongi Hills (there is a nice theater there) to see the movie. It's a Pixar movie, and they've put out some great stuff in the past. In general, I like that they are making CG movies, but I'm even more impressed because they really focus on the story and make movies that are appreciated by both kids and adults alike. So I'll generally try to see a movie just based on the Pixar name. This movie was no exception; I thought it was really good, and quite funny. It kind of creeped me out a bit to think about a rat in the kitchen, but once I got over that, it was an easy movie to enjoy. You should check it out if you have a chance.
What really surprised me though is what came after the movie. Roppongi Hills is a very new, very upscale area. It is kind of like a large Trump tower residence merged with a very upscale shopping mall and wall street business tower all rolled into one. And after we left the theater, down in the public space at the base of the tower, a festival was going on.
This wasn't just any old festival either, it was a Obon Dance, a kind of festival that is similar to the Mexican "Day of the Dead". Of course, like a lot of things in my life in Japan, I don't really know the details about this, and am just judging it based on some information gleaned from a Japanese history class a few years back and whatever other random information I've picked up from numerous dubious sources over the years. I really should do some sort of research on the subject, but I kind of like living my life in Tokyo in a kind of haze of not-quite-understood cultural events and misinterpretations.
In my imagination this festival is about respecting your deceased relatives and showing them they way to a kind of heaven. According to the story that runs in my head, we build a big bonfire and there are specific dances around this bonfire that help the spirits of the dead find us, their remaining relatives on the Earth, and through these dances they find the way to a kind of personal place of rest. That sounds really nice to me. In fact, I was just talking to a good friend about this recently, who told me that "Japan is a good place to mourn."
I think that is an insightful saying. Japan has been around a long time, and they have institutions and customs prepared for many events. When you look at this in a wider way, I am reminded of how at work there is a seeminging infinite variety of paperwork, each needing your personal stamp for processing, to cover any conceivable situation. Japanese people like to have a set formulae, a pattern, for ways to deal with expected or unexpected circumstances, and this extends to ceremonies.
It is timely because about a month ago, for the first time in my life, someone close to me passed away. My grandfather on my father's side passed away. It was very sudden, quite soon after he went to the hospital, and I was thinking about going back to attend the funeral, but there just wasn't time. That doesn't mean that I can't mourn, and I thought that going to an Obon Dance would be a good way to do that.
I'm not really sure how typically the Roppongi Hills Obon Dance was as far as these things go. It would be like trying to evaluate American block parties based on one that you once saw in Beverly Hills: almost certainly not the norm. Still, I really enjoyed it, and while I didn't really see how this connected with the spirits of dead ancestors, it was a fun and interesting festival.
I'm going to try to go to another one in a more normal town next year. The season of Obon has already ended, but I'm glad that I got to see this one, and I think Grandpa is having a great time where-ever he is, telling jokes and funny stories.
August 18, 2007
I bought a Japanese Jinbei
Foodstands on the way
Crowds by the river
Two days later, on Saturday night I planned to go to the Setagaya Fireworks Festival. To tell the truth, I wasn't looking forward to another fireworks festival, especially because this time I would be going alone. There were two main reasons that prompted me to go: first, I had just purchased a Jinbei, (甚平) a kind of traditional Japanese casual outfit, and I don't think I'll have many chances to wear it. Sure, that's a minor reason, but it is a reason. The major reason is that I live in Setagaya, and pay resident taxes in Setagaya, and they are expensive. Really expensive. So if my county is putting on a show, fireworks or otherwise, I'm totally going to go and see my tax dollars at work. So I went! This fireworks show is only about seven minutes away from where I live by train, or about a forty minute walk at a slow pace. I take the train up to Futagotamagawa, which I consider a fairly small, uncrowded station. It was jam packed. One of the great things about festivals and fireworks shows is that you see lots of people wearing traditional Yukata and so on. That is always fun. On the walk down to the river there were lots of little stands set up selling foods and stuff. I picked up some meats on a stick -- Japanese people love all sorts of foods on sticks, I'll write about that sometime -- and bought way too much. This one place was selling pork, chicken, and beef on a stick, with either salt or sauce flavoring. I bought one of each, and in the end only was able to eat three of them. Man, my eyes were too big for my stomach then. I walked about a third of the way home from the starting point, sat down, and watched the fireworks. I must admit that they did a good job. They had some funny smiley-face fireworks and also a few cute cat ones. The cat ones were pretty hard to make out, but they had a hint of whiskers, and little pink triangle ears, so if the angle was right on the explosion they looked like cats. After the fireworks ended, I decided to walk the rest of the way home, and got to Baskin Robbins in time for an ice cream - the first in about a month. I've got to be careful, this could become habit-forming.
August 12, 2007
Summer Sonic 2007 Music Festival: Day 2On the second day I woke up a big later since I didn't have to go through the wrist-band exchange shuffle. An uneventful trip back to the Chiba area.
"Blue Man Group"The first "group" I wanted to see was the Blue Man Group. They were up on the Mountain Stage, the largest of the indoor stages. Blue Man Group have been around in New York for a long time, and I've always wanted to to see them. The stage had two large screens to the left or right onto which they projected the action, so you could really get a great view from just about anywhere in there. The show was surprisingly well suited to this kind of music festival: the drumming and stuff is great, the humor is universal, and they had a bit where they played famous songs (Devo's Whip-it, etc.) with little gags at the end. They also had a kind of demonstration of useful moves that you can use while watching a show: head shake, hand pump, etc. I really enjoyed the show, and it really set the mood for the rest of the day.
"Tilly and the Wall"The first real act of the day was Tilly and the Wall. I haven't heard any of their stuff, but I've heard lots of good things about them on the podcasts that I listen to - mostly Shifted Sound and NPR's All Songs Considered. Also a few people over on the Bishop Allen forums like them, so I was interested. They are also from the surprisingly active Omaha scene, and are connected to Bright Eyes in some way.
The most interesting thing about them is that they do not have a drummer. They have a dedicated tap-dancer, and each of the ladies (there are three of them) had special little wooden stages set up which were wired for drum-like sounds. It was really impressive. They also seemed to be very happy to be in Japan, the lead guitars guy said that it had been a dream of theirs to play Japan, and he really sounded like he meant it. Anyway, these guys are on my radar now, and if I get a chance I'm going to pick up one of their albums.
"Hadouken!"Next up was Hadouken! They are an interesting-looking group out of England which caught my eye on the schedule because of their name for obvious reasons. Risa bought their album a while back and really likes them so she rushed way up front. I hung back a bit, and then as they got going (and were much more heavy / rap / metal than I expected) it started to get pretty wild. I stuck around for a while, but left early so I could catch another group that I've heard about from NPR that looked very interesting to me.
"The Polyphonic Spree"The Polyphonic Spree is a large orchestral rock fusion band, with about 20 people on stage, a small chorus, horns, woodwinds and strings, and even a harp. They have been accused of being too happy, but I don't think that is a problem. I really liked their song, and seeing them live was pretty amazing. They were a real high energy act. They are definitely on my list of albums to get. Actually, along with Modest Mouse, this was my favorite act of Summer Sonic. Highly recommended. I didn't really know much about them going in, but that wasn't a big problem: the orchestral format, with such a wide variety of instruments, was really interesting to listen to and watch.
Most surprising, one of their final songs was a cover of Nirvana's Lithium. It was a really good cover, and I really got into it. Completely unexpected!
Update: I just bought the Polyphonic Spree's latest album, The Fragile Army, and the Japanese version has three extra bonus tracks (good thing, since albums are so expensive here. This one was a reasonable 2,200 yen though) one of which was that excellent Lithium cover. I'm really glad I picked this album up.
"Bright Eyes / Karaoke Sonic"Next up was Bright Eyes, with Connor Oberst, one of the guys that really set up the Omaha music scene explosion. I also do not know Bright Eyes' music well, but have heard a lot of their stuff on the podcasts that I listen to. I was looking forward to seeing them a lot, but after all the standing around I had already done I was getting pretty tired, so I took a break. Right next to the Sonic stage, where I've been spending most of my time, was a little break area with some benches and a secondary "Side Stage" area that was doing all sorts of strange things during the festival. One of them was some sort of group of people that put on stare contents, Staremaster, in fact I think I saw a battle between Tsukika and Araki Tomoe, but I am not positive about that. I distinctly remember avoiding watching a contest that had Love Sexy Otawaya vs. someone else.
Anyway, I should backtrack a bit to earlier in the morning. I took a break before Modest Mouse and at the same sidestage they had a Karaoke Sonic setup. I wandered by the registration desk, and one of the women there asked me if I wanted to sign up since there were still a few spots left. I was really, really tempted: I enjoy Karaoke, and there are a few Japanese songs that I like to sing. It would probably go over well. At the time though, I had two misgivings: first, there were a bunch of bands that I wanted to see, and this would probably take some time. Second, the only song that came to mind immediately was Dragon Ash's "Grateful Days", which is a great song, but I haven't been going to Karaoke at all lately. I knew that on the final third of the song I would stumble since it is a fairly fast-paced rap and that wouldn't be so cool. So I declined in the end, but it was a close call.
Well, later in the afternoon when I went back for a break I sat down and started to watch the Karaoke Sonic thing. The big surprise came when they introduced the guest panel of judges, and included in the group was Razon Ramon of "Hard Gay" fame! I know I've touched on it briefly before in this blog, but I don't really get Japanese humor that is on the television. It just doesn't really seem funny to me. I think there are cultural differences, and probably I just don't have enough background to understand a lot of the humor, but in general I am not impressed with Japanese comedians. Hard Gay is another story though: I do think he is funny. I mean, the main gag, that he is a totally gay guy doing completely inappropriate things in inappropriate situations, is fairly easy to understand. I actually like that a lot of his schtick is trying to teach kids and do other good acts for people, all while being a complete gay stereotype that I don't really even think exists in Japan. At least in New York, I know where I can go if I want to bump into leather-clad S&M gay men, but in Japan I think that stuff is confined only to for-pay sex clubs and does not surface in everyday society.
I also kind of like how the character brings up some discussion of homosexuality in Japan, where it is just usually not spoken about. I don't think people here are homophobic, they just in general don't think about things that outside the mainstream "group" dynamic. So it is a bit interesting from an investigation of common social norms sort of theme.
Anyway, I was really, really disappointed now that I had not signed up for Karaoke Sonic. Even if I botched my song completely - and a few minutes after sitting down I realized I could also sing Sorimachi's "Poison", the theme song to the GTO drama from many years back - I would still get a chance to meet with and talk to Hard Gay. Also, compared to the morning, this afternoon session was packed: there were maybe a hundred people watching. That would be kind of fun, to get up in front of all those people and sing. Even worse, I decided to stick around to listen to the banter and see how well the competitors sang, and I am positive that at worst I would have come in second place. There were only about six people (some of those were actually two people in pairs, but six competitors) and I would have gone a long way on "white guy singing in Japanese" alone.
There was one foreigner from New Zealand, but he was pretty strange: he was asian, and kind of bad pronunciation on his song, a My Chemical Romance ballad about parades or something. It was a pretty bad song to choose because it was slow, very repetitive, and boring: the beat wasn't fast, and it was really sappy. Those are the worst songs to Karaoke (easy to do though.) There was a Japanese guy who sang a British song from a group that was playing Summer Sonic, and he was good, but not great. Two other girls sang a song from the 80s and went over well, and two more women - officially foreign ers from China, but they lived in Japan for quite a while - that went over well also. The other memorable competitor was the winner, a Japanese woman who sang The Spice Girl's "Wannabe" with extreme vigor and vim. She won, and I doubt that I would have done better than her, but I could have at least come in second, and I'm sure I would have had an interesting conversation with Hard Gay. Man, I'm really kicking myself over that.
Next time there is some sort of public Karaoke Competition I don't care what sort of objections I come up with, I'm going to enter.
"Cyndi Lauper"I wasn't sure what I should go see in this slot, but in the end Cyndi Lauper won out for the nostalgia factor. I can't really say that I was ever a huge fan, but I heard a lot of her stuff on the radio when I was younger, and I wanted to see how she was doing now. I was really surprised because the place was packed for her show. I guess there are a lot of Japanese Cyndi Lauper fans out there. I had never seen her live so I had no idea what to expect, but she was very energetic and chatty. While living in New York she often went to some sushi bar where the guys there taught her some Japanese, and so she was using all the words that she could remember, just simple things like "genki" and "daijyoubu" and so on. It was pretty cool though.
She was running all over the stage, and in between songs would segue off into strange stories that I'm sure nobody really understood. Even as a native speaker, understanding was an issue because these were really tangential and non-sequitur type things to say. I guess she is in her 50s now, but she wore a short skirt, and playfully flashed her hot-pink panties at the crowd a few times. It seems strange to think of someone at her age acting like that, but she was really having a good time, and so was the crowd.
Her final song was "Girl's Just Want to Have Fun", and she went back behind stage and pulled on about twenty people from other bands and so on to dance with her. It was really wild, the crowd was really into it and everyone was having a great time. Her show was, surprisingly to me, a really good one.
"Cornelius Group"Cornelius Group is another group that I've heard very good things about, but don't know much about myself. They are a kind of downtempo, relaxed, media band that sets their music to experimental type movies and such when they play. They had a pretty intricate set-up on stage with a big screen for projected video behind them. It was very nice, but this kind of music and "experience" is something that I would rather be able to take in while seated, relaxing, and maybe with a drink or two. The music that they play is something I wouldn't mind having on in the background, but not something to which I would want to devote my full attention.
"Pet Shop Boys"
The final band of the night, and the entire festival, was Pet Shop Boys.
I've always been a fan of the Pet Shop Boys, but not a rabid one. The
first CD that I ever bought was Pet Shop Boys' Actually, and in Japan at that
(when my dad brought me here for like a week when I was 14.) They also
had a very intricate stage setup for video projection. It was just the
two Pet Shop Boys themselves,
Tennant who provides main
and very occasionally
Lowe on keyboards. They also then had two dancers, all they did was
dance, and two more backup singers, who also did a lot of dancing, and a total
Diva female singer. The others were, as you might guess, completely hot
men who often went shirtless. I'm sure the women in the crowd loved
They put on a really good show with very intricate choreographed dance moves,
and three costume changes. Very impressive. It was apparently the
last night of their World Tour, and they really put a lot of energy out
there. They also sang that interesting U2 mashup cover of "Where the
Streets Have No Name".
Final ThoughtsI was surprised that there were so many good covers. I guess the groups that I picked to see also have some sort of connection to the music that I remember fondly, so it shouldn't be too much of a surprise, but it was really great to hear the Cure's "Just like Heaven", Nirvana's "Lithium", and the U2 mashup cover of "Where the Streets Have no Name".
After the entire weekend, I was just exhausted. It was lots of fun, but really tiring. If there are some bands that I like going next year, I'll try to go again. It is for sure a good deal for the money compared to most live shows in Japan. One other thing that I think is important is to start to familiarize yourself with the bands that you plan on seeing a month or two in advance. I would have had a lot more fun had I been more familiar with some of the bands that I went to see. Still, a really fun experience.
Summer Sonic 2007 Tokyo Music Festival: Day 1
Welcome to Summer Sonic!
Walking to Summer Sonic
Marine Stage Crowd
"Onsoku Line (Speed of Sound Line)"While at the beach stage we saw the opening act Onsoku Line, a three man group of rap-style music. They were pretty good, and certainly were fitting for the beach stage. It was lots of fun even though I hadn't heard of them before. We headed over to the Marine Stage and got a spot very close to the stage - maybe like 6 rows of people back. It was crazy hot. I had my towel wrapped around my head and under my hat so my neck wouldn't get burned. Almost everyone else did too. Did I mention that it was hot? Before the shows really started to get going, some dude came out to warm us up. I didn't know who he was, but he was maybe half or something because his English was quite good, although the whole thing was mostly in Japanese. After he did his thing (MC in charge) Nishioka Sumiko (you can see some of the other characters she has played, as well as a bit as her current SM Mistress character in this youtube video) came out and did a kind of routine. It was kind of funny, but like most Japanese comedians the comedy comes from just shouting at people something vaguely inappropriate (you guys are all pig bastards!) She has a kind of leather-wearing Mistress like domination schtick.
"The Pipettes"Next up was The Pipettes, a female singer trio from England. They had a backing band who wore cute monogrammed sweaters, but the act is just the three women, who are singers. They are like a blast from the 1950s, wore cute polka-dot outfits, and had completely choreographed dances with intricate hand movements for each of their songs. The really funny thing is that their song lyrics were mostly completely at odds with their poppy happy sound. They reminded me of Lily Allen in a way because of that. I really thought they put on a great live show, although I'm not really interested in buying their album because musically I just wasn't grooving that 50s sound too much. It isn't bad, it is just at the price of albums out here, I've got a lot of other things to spend my money on before I head after these girls. I really did enjoy the show though. Lots of fun.
"OK Go"Next up was OK Go. I knew of them because of their Youtube Video for Here it Goes Again, which is really great. I didn't know much else about these guys, but they put on a good show, had some pretty heavy rock sound, and weren't bad at all. I like their style.
"The Editors"I first found out about The Editors when they toured through Japan with We Are Scientists. I really liked them then, they reminded me a bit of Joy Division. Actually, when I was chatting with Keith from the Scientists he introduced me to the guitarist and the bassist of the band. They seemed like nice guys. This time the guitarist was wearing a kind of Power-Rangers type shirt that really went over well in Japan I think. The Editors put on a really great show, and the lead singer was crazy nuts with his strange arm movements and stuff. He was twisting his arms around behind his back, moving around strangely, all that stuff. It was pretty cool. They really rocked it hard, and if you don't have their album "The Back Room" I recommend you pick it up. After the Editors, I was exhausted from hours of standing in the hot sun, so we all headed back to the indoors Makuhari Messe area for a break and lunch. I really wanted to check out Puffy AmiYumi, but instead I had lunch and took a bit of a break. If I had really killed myself and ran around like crazy I probably could have seen a few more bands, but that makes things seem more like work. It was more fun to relax and see the bans that I really wanted to see and not worry too much about scheduling, just try to have a good time. Lunch also involved waiting in lines and just took too long. I did have a nice lunch though: Fried Yaizu don, which was a fried maguro fish on rice. It was really good too. While the convention center was air conditioned, it was so hot and there were so many people that it wasn't really all that cool. Still, after about an hour, I had finally cooled down a bit and quite sweating. That wouldn't last for long though, since next up was
"Interpol"Interpol was playing on the Sonic stage, a medium sized indoor stage. I've always like Interpol since their first album "Turn on the bright lights" (still their best, IMHO) and since they are also a New York band I have a special place in my heart for them. Their show was really good. I was up front so had a really nice view, and they played lots of songs that I knew so it was really great. I really think that Editors and Interpol make a pretty nice pairing.
"Dinosaur Jr."After Interpol I stayed at the Sonic stage for Dinosaur Jr. I used to listen to these guys way back in high school, I would remember Eric and I in the car driving back from track practice after school with these guys on the radio. They broke up a while ago, but recently the band has been re-formed with new members apparently. I should have known this, since it is their style, but the distortion and feedback was just crazy. The volume wasn't any louder than any of the other bands, but with all of the feedback the high pitched sounds were just unbearable. I really needed some earplugs for this one. I closed my ears and listened to the first two songs - including a surprising cover of the Cure's "Just Like Heaven" - and then went next door to relax and sit down for a while.
"Modest Mouse"Probably the band that I was most looking forward to was (or second most, hard to tell) was Modest Mouse. I really love their new album "We were dead before the boat even sank". I was really amazed that Johnny Marr, the famous guitarist from The Smiths, was playing with them, and right up there on stage in front of me. I never thought that I would have the chance to see Johnny Marr live, but there you are. They played a lot of songs that I knew and just put on a great show. One funny (or sad?) thing that happened is that the lead singer Isaac Brock went down into the crowd once, and when he came back up to the stage someone had taken his hat. In between every song break he was talking about his hat. First it was "Hey man, give me back my hat" and then it progressively got more aggressive like "Man, do you know how hard it is to find a hat that you like?" and "You can't just go taking people's hats for nothing!", "This isn't the Isaac gives away his hat 2007 tour!" and "Man, I don't care if you say you can just comp these things, it doesn't matter if it costs $20 or $1, you can't just go taking people's stuff" and finally "Fuck you in the face, motherfucker!". I'm with him on that sentiment: that's just shitty to take some guy's stuff just because you want it. It really sucks that fans act like assholes sometimes. The show itself was really great though. They put on a hard-rocking show, and sang a lot of good stuff, and oh my god, Johnny Marr! It was great. They were my favorite act of the day, and probably of the two day festival.
"Travis"I finished things out with Travis I don't really know Travis well; I've heard them on the radio and various podcasts that I listen to, but I don't have any of their albums. They really sounded great with a nice sound and very good harmony. I am interested in picking up one of their albums, but I don't know where to start really. After Travis, I headed home on the super crowded trains. It took about an hour and a half, and of course the train was super packed. By the time I got to the Rinkai line though I was able to sit down. There is at least one good thing to be said about taking a super expensive line that normally people don't ride: you can sit down. I collapsed into bed, hoping to rest up these old feet for another day of the same punishment tomorrow...
August 10, 2007
Something about Heroes annoys meI have been watching the NBC show Heroes lately. It is a great show. I really love Hiro, he's a great character. In general, I really like this show. There is one thing that really bothers me on the show. There are a few people in the show that speak Japanese. The main ones so far have been the Japanese characters, who are all great. It was one of the first times that I've heard George Takei speak Japanese, which was great. The problem is that there are also some Western people that speak Japanese in the show, and their accents are terrible. Absolutely awful. That alone wouldn't be so bad. What is really horrible is that in one scene where there was some extended white-guy Japanese-speaking action, his accent was horrible but his vocabulary was very good. Nobody that has such a good vocabulary and grasp of Japanese could possibly have such a terrible accent. You would have to be able to tell that your own Japanese sounds wrong and horrible. Anyway, aside from that the show is great. I'm watching Episode 17 now and sad that I'll soon be up to the "season finale". When will more Heroes be aired? I'm looking forward to it. (That and Battlestar Galactica and Dr. Who.)
August 5, 2007
A quick trip to the Setagaya Art MuseumSaraba bar in Jiyugaoka, works at the Setagaya Art Museum. The other day she told Lisa that they were having a fun exhibit at the museum. A guy who writes children's books would do a reading, and then there would be a mini-parade complete with musicians walking down to the nearby Okusawa Temple. It sounded like a lot of fun, so Lisa, Kana, and I decided to check it out. I had never been to the Setagaya Art Museum before, but have been meaning to go since I'm sure that my tax money supports the place. It is located in the middle of Kinuta Park, about twenty minutes worth of train and bus rides from where I live. I could probably get there in about the same time on a bike, if I had a nice comfortable big bike instead of the little small short-trip fold-able bike that I have now. Anyway, we all headed down there. We probably would have enjoyed the walk through the park more if it wasn't swelteringly hot and humid. August is a pretty tough month in Japan because just walking outside is enough to get you sweating like a demon. The museum is very nice; much larger than I anticipated, yet still small enough to have a local feel to it. When we headed in, we couldn't find any information about the parade thing, which was slated to begin shortly. Actually, we thought about it for a bit, and figured that walking from here back to Okusawa would take like an hour, and in this crippling weather probably wouldn't even be safe for the age group that was targeted. The lack of information about the event only confirmed our fears: we were at the wrong museum. Going up to the information desk, we asked about it and indeed, we were in the wrong place. Mie told us that the thing was going on at "her museum" but did not make it clear that she meant the (perhaps ten minute walk from my home) Miyamoto Saburo Museum Annex. I've seen this place before: it is like someone's regular house was taken over by a museum. It is also another place that I'm interested in going, but haven't had the time or motivation to visit yet. Since we came all this way for some culture, we decided to check out the Aoyama Jiro exhibit. Aoyama Jiro (any relation to the Aoyama Iichome subway stop?) was born in 1901 and pioneered collection of Chinese and Korean ceramics. It was interesting for me because my younger sister is a ceramicist herself, and also Jiro designed book covers, which were totally fascinating. One thing that really threw me off about the book covers is that the characters were written from right-to-left. At first, I thought I just couldn't read Japanese for some reason, then I thought "Oh, these are the masters and they are printed mirror-like for some sort of printing reasons", but then a closer investigation revealed that the characters were not flipped, just written from right-to-left. I was really confused! I never knew that Japanese was written from right-to-left before exposure to the West. Based on the dates of the magazine covers and such, that form of writing was still going on as late at the 1950's, although my friends all tell me that no, that only happened before the 30s or so. I don't know; I checked the dates on the covers, and there were some there from the 60s even. I suspect it is just an art thing though, and that for the most part the country switched over to a left-to-right writing system earlier. Of course, it never shows up in computer text (man that would cause us computational linguists some trouble!) because computer systems originally were all imported from the West, didn't handle Kanji originally, and by then people had probably switched over. The exhibition was nice, I really enjoyed it. I'm planning to go back to the museum sometime. Also, we poked a lot of fun at Mie for not being more clear next time we ran into her at Saraba!
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